Dee Bradley Baker's "All to Know About Going Pro in V.O."

Starting from “Zero”


Beginners: This page is for you.

Let’s assume you’re not an actor and have never performed. But maybe you’ve seen a play or movie musical or a documentary about voice overs or some DVD extras and, man, that looks like fun. Perhaps you’re a bit of a show off and you have some indication from friends or family that you have some talent. Or maybe you’ve always dreamed of “giving show biz a try.”

You love the idea of voice acting but you’ve never been in a show or recorded your voice. You think you might want to go for it, but you’re unsure, maybe even a little afraid. Where to begin? And should you?

Why be an actor?

Trying out acting can be a bit scary and there will be a learning curve, but it should be fun, something you love, that feeds your life. Enjoyment is the best reason to start acting and the best reason to keep doing it.


First Things First!

Worry about skill, money, fame, and self-promotion later. In fact, forget worry and for now let’s shoot for seeing whether you enjoy performing and whether it’s a good fit for you. 

When I started acting as a kid, I wasn’t aiming at fame or money or a career at all. I wasn’t even aiming. I was just having a blast being on a stage or in front of an audience or just creating something to show others. It was many years before acting was anything more than a hobby for me. So from my perspective, what’s the rush?

My advice for a beginner is to approach this new frontier at an easy pace, looking for the fun.

Can anyone be an actor?

Becoming an actor isn’t like becoming an electrician, where pretty much anyone can study up on a standard body of information, get certified and become one. Yes, it will take experience and study to develop talent, but you can’t just buy a book, read a website or take a few classes and suddenly have it. 

Acting certainly requires a good grasp of certain learnable skills, but at its heart, acting is also an art form. Success depends on a good amount of in-born talent. Either you have it or you don’t. An actor must have a strong and indefatigable drive to perform and create for others. You need an innate ability to draw an audience to you and hold their interest with what you create. You must also be able to win the confidence of those who cast and the respect of those you perform with. 

In addition to talent, acting also requires a certain kind of personality and temperament. You must be okay with rejection as well as change and be able to learn from it. You must be able to thrive in the face of rejection and failure. You must have the capacity to hold your own in a performance, roll with the punches and bring your own sense of humor to the collaborative process that is acting. 

You can’t learn talent, but it can be revealed, cultivated, polished and strengthened if you have it. Do you have this? You won’t know until you try it out…

One way to start acting: Pay to play in a classroom.

Classes and workshops can be a good way to get your feet wet in a supportive environment and see if acting in some form might be a thing for you. Just know there is no class or guru that can make everyone into a good actor, let alone voice actor. But let’s not worry about that for now. Let’s first approach acting as something you are trying for fun.

A class is also useful in that you learn from the success and missteps of others who are trying this out, too. You’d be surprised how much you can learn by watching others going for it.

But a class is ultimately an artificial, protected environment that is removed from the real life dynamic of the working world. It is a safe exercise area, where you can develop your “acting muscles,” but a classroom is not your final destination. You eventually want to get away from a pay-to-play classroom and get onto a real world stage, where the stakes are higher and there is no net.

Check my “Learning to act” page for a discussion of the many ways to explore becoming an actor.

Another way to start acting: Get in front of an audience. 

For most of my life, my preferred method of learning to be an actor is to actually do it rather than to study it. I’ve always found live performing to be the best teacher of all. (E.g., try doing a play, musical, stand up, talent show, open mic, etc.)

On a stage or live performing situation, you can see what actors are like, what the process is and find what works, and maybe more importantly, what doesn’t work for you in front of an audience. You learn when you soar and you learn possibly more when you stumble. The key ingredient here is a live audience.

Also, you learn from working with people who are more experienced, more skilled, more confident than you, so you must seek these people out. You don’t get better at tennis by playing with others less skilled than you! Same goes for acting.

Why wait when you can start NOW?

But why wait for a class to start this journey? Start performing NOW by finding any way you can to get on a stage, get in front of an audience, a camera or microphone. Learn by doing!

There are a hundred ways to come at this. Try any or all of the following: Plays, musicals, puppetry, stand up, improv, theme park shows, podcasting, open mic nights, radio, home produced YouTube projects, play in a band– anything that sounds fun that fits your skill set! Just get yourself in front of an audience in a creative capacity. Seek out others who create the kinds of things you love and make something! If you can’t find someone else’s show or project, make your own!

But what if you live in “Nowheresville?” What if there is “nothing happening” in your neighborhood/city/school/chapter in life? Then it is up to you to find ways to start creating and get to where something is “happening–” where the creative types are you can learn from. You must hunt it out!

Maybe you decide to save up for an out-of-town class or a special trip to be in a show or audition for a play or try your ideas at an open mic night. Perhaps you go see a performer who inspires you and say hello and get some quick advice at a convention panel. Maybe you find a pro who can consult with you online. It may take time and saving some money, but you gotta do what you gotta do if you really want to try this, right? 

There is no good reason to wait. Start now!

When the going gets tough…

And don’t be intimidated by inevitable roadblocks, false starts and endless rejections on the path to becoming an actor! That all goes with the territory! You will sometimes (rightfully) feel utterly outgunned and outclassed. At times you may feel a complete failure. So what? 

Just remember that every intimidating or experienced pro who exudes confidence and fearlessness was once a beginner too! Trust me, they still have their low points and bad days just like you do! And no matter how far your career advances, there’s always a missed cue, a flubbed audition, a terrible choice in a scene, a miscast, a recast, an epic bomb. That is acting! Beyond the performing, you must enjoy the process if this is to be a long term thing!

Your missteps or stumbles are universal to all performers. If you are to be an actor of any stripe, you must ignore rejection, failure and dead ends, or better yet, learn from them! That is essential. You keep going and don’t give up.

Being an actor can often be fun, but it’s not always easy. Hey, if you want easy, go make some muffins.

Becoming an actor means becoming yourself.

Study the paths of your actor heroes, learn from them, but remember: Your path will be uniquely yours, one to find on your own initiative and in your own time and in your own way. Becoming an actor is not about becoming a copy of [fill in the blank with your favorite actor], it is rather to become your own unique force-to-be-reckoned-with!

You become a better actor as you become more of yourself, is how I might put it.

Eventually becoming a professional artist— and that is the eventual goal here– isn’t about following or “fitting in.” It isn’t about just being polite or “eager to please” either or just following a check list of rules. It’s about tapping into your unique creative powers and becoming an artist in your own right, someone who is paid to create with your own voice. As a professional artist, you have this power “on tap”– one that is uniquely yours

As an actor, to become others, you must first become yourself. Actors may appear to pretend to be someone else, but an actor must paint from an inner palette that is their honest own. This is why acting isn’t just a skill- it’s an art.

Start now.

Even sitting where you are, you can begin learning from the best and start stretching your “voice actor wings” right now! Check out the resources on my Voice Acting Academy page and if you want to start working your voice acting muscles, try the suggested exercises on my VO Home Workout page. You can do it now!

From hobby to career…

Now, after trying voice/acting out and having fun with it as an unpaid amateur for a while, you might begin considering voice/acting as a career path. It now becomes more than just a fun side activity or even an artistic outlet– it becomes increasingly about competition, business sense and a whole range of other “big picture” things that a pro should focus on to book the gig and earn some money. Fleshing out these more advanced specifics while growing your artistic powers is the focus of the rest of my site. It’s about going “pro.”

Will there be obstacles and frustration along the way? Always! But if you love acting and have the talent– if acting is something you were born to do– none of the time, money or other challenges will matter. You will find a way to make it go.


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114 Responses »

  1. Any advice for someone who doesn’t live in America who hopes to one day voice act in American cartoons, games, etc?

  2. With no acting experience, would it be a good idea to move to LA to study acting/voice acting if you didn’t have to worry about cost of school/cost of living?

    • I don’t think I’d move to the moon to see if I might like being an astronaut. If you’ve that kind of money, why not fly to LA on occasion to study with good people to find if it’s your thing first, if you have to skip the rest of the whole process that I suggest on my site.

  3. How do you join the actor’s union?

    • How do you join SAG-AFTRA (the performers’ union for movies, TV, radio & video games)? First, you should have good experience and confidence as an actor. You should be ready to compete at a higher level before joining. If you have the talent, can demonstrate that, and maybe have your promotional materials in order (website & demo) and have earned the trust/respect of some fellow actors who are already members (perhaps met in a class or some performance?) who can maybe recommend you, then you may catch the interest to an agency that represents union talent.

      If you’re professionally competitive but not yet a union member, then it might be worth a chance for an agency to sign you on (or “hip pocket” you for a while) and see if you book something. That’s sort of your first hurdle– getting signed with a union agency (with the union auditions you want) after convincing them you’re good and worth their time and effort to send you on auditions.

      If you give a great audition for a union project but are non-union, then the producers must pay a small fee to the union in order to hire you. They must also demonstrate they have done their best to try and cast their role with a union member (but you are the one!). If they hire you, you then become “eligible” to join the union but you aren’t obligated to join the union until your second gig. While signing up for the union is optional for your first union gig, you must have your union initiation fee fully paid before reporting to your second union gig, otherwise the producers will get in big trouble with the union, meaning you will get in trouble and your agent will be pissed too.

  4. I have a speech impediment. Do you think someone with my predicament could master the art of voice acting?

    • See James Earl Jones or any number of actors with any number of physical, mental or emotional challenges for inspiration. They found a way to overcome their challenges and made it work. Many actors/voice actors have speech issues. Speech therapy would be a good place to start with specific problems. No one has good vocal control when they start. They practice and get better. Your challenges don’t define how far you can go, your talent and resolve do.

  5. … is it smart to do home recording to practice recording in general and getting into the groove of the acting?

    • Why not? I did a lot of home recording of audio sketches with my friends when I was in high school and beyond college. Anything you can do to work your performing muscles can be of some benefit. Just don‘t stop expanding your horizons and trying new ways to let your talent out!

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