Dee Bradley Baker's "All to Know About Going Pro in V.O."

FAQs

Here are the most commonly asked questions I hear regarding voice overs:

1.”I’m [young/in middle school/high school/just graduating college] and want to be a voice actor. What’s your advice for someone young like me?”

My website applies as much to young newbies as to more experienced or “older” aspiring actors. Try acting at school or acting classes or other ways I list extensively on my site and see how it goes for a start. 

Try performing for fun at first. That’s your only goal: find the fun. Don’t worry about things like “career” or marketing yourself or moving to Los Angeles– that’s all for much later if it goes well and you enjoy it. For now, read my site and find what kind of performing might be good for you. Acting may end up being just a hobby or it may take you into other interests, but you won’t know until you try it for a while, and by that I mean at least a few years.

2. I’m [middle aged/older than dirt] and am thinking about voice acting. What should I do?

Never look at what makes you unique as a disadvantage. It is your ultimate ace, in my opinion.

If you love something and are good at it, you should pursue it, no matter your age. If you are curious about something, I believe you should also pursue it to see how it fits, so to speak. Why would you not?

While commercial acting tends to favor younger talent, an older person who is a good actor could perhaps more easily stand out in some situations. 

Some voice actors didn’t start acting until midlife (e.g., Steve Blum didn’t start voice acting until he was 40).

Generally speaking though, your age doesn’t make you a special case in terms of what you need to do to become an actor or even a voice actor. My advice and suggestions that I detail on my site apply equally to you.

2.a  Can you recommend a good drama school for me?”

I discuss my ambivalence about college acting training at length HERE.

Some successful voice actors have a theater degree from an conservatory, but many others don’t. Some of the best voice actors were musicians, stand ups, even illustrators. I myself took one acting class in college, but that was it. I spent my youth trying all sorts of performing, but studying other things I was interested in. I essentially saw acting as a fun hobby that I never intended or expected to lead to employment. Lucky for me, it did! 

I look around at my colleagues and see that many paths can lead to an acting career, so I can’t recommend just one route.

I’ve no idea what drama school to recommend as I myself am forever thankful I never studied at one. For me, acting is about “doing,” not “studying.” Formal acting training may be a good investment for some– even for you (especially if you are Broadway-bound)– but I have no idea where to point you.

My angle- taken from my own experience- is to get stage time any way you can and learn from being in front of a live audience with other performers. In what ever way, to become a voice actor, you must become a confident improvisational performer while above all becoming a good actor.

Your own path will be unique, not a generic checklist of steps. “Acting school” may be the obvious choice for some considering becoming an actor (especially those heading for Broadway), but it wasn’t for me, nor for many who consistently work voice overs in animation and games.

CLICK HERE for a discussion of the many options you have to learn to become an actor.

3. I [have a YouTube channel/podcast/create my own solo performances]. What should I do next?

Trying to become a professional actor by making your own YouTube channel is sort of like trying to become a professional photographer by taking selfies you post on Instagram. Could it be a first step? I suppose so. 

A video posted to YouTube or social media may indeed show a performer has talent, but as I try to show with my site, talent is baseline and there is much more involved in getting work and sustaining a career as a voice actor.  The idea that “talent” is all you need to make this happen is a common myth. 

The project of becoming a voice actor (as I see it) is about becoming an actor, but sitting in a room in front of a computer screen isn’t teaching you the most important essentials of what an actor needs to know, which include:

  • how to connect with an audience
  • how to cooperate and interact confidently with a cast
  • how to take direction and how to improvise in a live group setting.

These sensibilities are essential to voice acting in animation and games and even commercials.

Also, without a cast or audience, you can’t learn to recover from or take advantage of mistakes, flubs and “curveballs” that inevitably happen in a live situation! An actor must always be ready for some kind of unexpected switch up.

These aspects of live performing in front of an audience are what train your instincts in becoming an actor, as opposed to merely becoming a well-edited social media “personality.” 

You learn acting by creating with and for others. It’s a fundamentally cooperative art form, not isolated. An actor listens, interacts and reacts because acting is fundamentally social, not solo. You can’t do this sitting alone in a room staring at yourself on a computer screen. You have no realtime feedback from cast or audience to inform your performance.

Don’t get me wrong– creating amateur audio or visual performances, youtube channels, podcasts, etc. can be great fun and a useful first step towards becoming an actor or maybe a writer. (I made a lot of self-produced audio sketch recordings when I was younger!) But this is just the very beginning (or only a part) of what you must do if you want to become an actor.

Good for you for taking initiative and creating your own thing! But, if professional voice acting is your goal, you will need to someday step out beyond creating something in isolation and expand into creating something with others.

Try some of the many things I suggest to work your acting & improv muscles and see if acting is a truly a thing for you.

4. “I’m a totally inexperienced beginner, with no money, no performing experience, nowhere to audition for anything in my [town/ school/ state/ country], and no idea of where to find opportunity or where to start. What do I do?”

Everyone starts at zero and many start in “Nowheresville.” That’s common. The uncommon story is of the ones who find their way up and out, against all odds.

Start with reading my site thoroughly, maybe trying some exercises I suggest, and take a good look around at what’s happening locally. Take a class, get on a stage and/or check out other resources I’ve suggested. Anything from a local community theater company to local stand up open mic, a library show, church play, etc.

But what if you live in the middle of a creative desert? If there is truly nothing happening in your hometown then you will need to get to where there are creative people who act and teach so you can audition for shows, try an open mic night or perhaps a workshop or class to see if this works for you. You must test if the appeal of the idea of being an actor is really all that much fun for you! You slowly build your own momentum.

Many young people seem to want to essentially just “run off and join the voice over circus,” but that’s not how it works. You will need to find ways to try acting and voice acting in your own way, your own time and on your own dime. Every successful voice actor has improvised their own version of this over years of going for it. 

Is it “hard” to find the path to professional (voice) acting coming from small-town living with not a lot happening?  Sure. But such obstacles never seems to matter to those with the right mix of talent, ambition and persistence. Such people find a way to make it go. They see obstacles as springboards. Is that you? You won’t know until you go for it!

Also, I hope that my site shows you that you shouldn’t be in any rush to become a working professional actor. I encourage following other creative passions in addition to pursuing acting, especially when you are young and only beginning to grasp your own “super powers.” I myself didn’t study acting at college and found my liberal arts college education an invaluable groundwork for trying various kinds of performing, then eventually voice acting after I graduated. Voice acting didn’t become a clear choice for me until my late 20’s and I strongly believe a good liberal arts college eduction results in a flexibility and strength of mind that is a fantastic life-tool that never leaves you, irregardless of whether your major directly aligns with your eventual career(s), which it often doesn’t. Thankfully. 

If you are right for voice acting, you will find your way, but wanting it is never enough. You must creatively and persistently pursue your interest against all limitations that life has placed for you (or that you have placed for yourself).

All I have to offer to help you is here on this site. Begin with my “Starting from Zero” page and keep going.

4a. “I’m working full time at another (non-acting) occupation but want to be a voice actor. What can I do?”

That is a time management question. Just understand that acting takes a lot of time, no matter your level of experience. If you get in a play, for instance, that means a substantial commitment of rehearsal time plus shows. Stand up comedy is less time, since there is no rehearsing, but the shows can take hours of waiting around. Taking some kind of acting or VO class will cost you both time and money.

To me, saying “I want to be a voice actor” is similar to saying “I want to play Bach on the piano well enough that someone will pay me to do that.” Even with talent, it’s going to take a heck of a long time to make it sound that good and look that easy.

It’s tough to devote time to both acting and a full-time career in something else, but if you are driven and love it, you will find a way. 

5. “Can you give me any tips for how I can [begin exploring voice acting/find and agent/get an audition/get work/ become a voice actor]?” 

Here’s my tip:  Read my site.

6. “I’ve been thinking about trying voice acting. Should I? It all seems so [difficult/ lonely/ uncertain/ scary, etc.]”

Well, acting is all those things. And so what? If your goal is comfort, go get a massage, but don’t choose to be an actor. If you’re just afraid of trying it, then either get over it and try it or find something else to do. Despite all excuses, you must want it enough to overcome all of this! Acting is about “doing” not “thinking about doing!” And an actor’s life is never about feeling safe and secure. 

You gotta put your self out there to be an actor. You can feel exposed and scared, but it can be exciting and fun, too. If you think you want to try this but never seem to get around to it, perhaps you don’t want it enough. Perhaps acting feels too daunting or it’s not right for you, in which case, you won’t go for it.

But if you want something enough, you will at least give it a good try, I’d hope. If it works out, great! If not, you’ve learned from it and you move on. If you find it thrilling and fun you’ll keep it up.

Still hesitating? Ask yourself “What is the worst that can happen if I try this?” and “What am I afraid of?”  “Are my fears well-founded enough to prevent me from going for it?” Take a hard, honest look into yourself. You may find your fear is insubstantial and isn’t worth the power you give it over your ability to decide and act on what you want to do.

So either try acting/ voice overs– or don’t. Just don’t twiddle your thumbs too long. Life’s too short for that, right? And please don’t ask for my permission to give it a try, or to give anything a try. Don’t ask anyone!

The only person you need to ask permission of is yourself.

6a. “I want to try acting but I’m afraid my parents or family won’t approve. What should I do?”

Look, it’s not like you’re signing up with Air Force if you audition for a play or  perform open mic night or stand up– you’re just trying something for fun to see where it leads you. Just think of it like you are trying karate or tennis. It’s merely a new activity that you’re curious to try. What’s the harm of that? It’s not really that big a deal.

If your parents don’t like performing for some reason, or if they think the arts are a waste of time (yikes!), frame your interest as merely trying something new for fun- like a hobby or a sport. This isn’t a career choice! 

A parent’s lack of enthusiasm for acting as a career choice is understandable from a sheer financial/statistical standpoint. Most actors never earn a living doing what they love and it remains a hobby at best. But for those lucky few suited to it, it can be a fun career. 

But career concerns are for much later! For a beginner, it’s only about the fun of it.

For now, talk about your interest in acting (or voice acting) as a hobby or past time and it may be easier to get the parents to sign off on dipping your toe in.

7. “I have some good [ability/experience] and really want to do v.o. Do I have a shot?”

First, off, if you are already acting/performing/creating, you are doing this. As far as whether your success so far is any indication of you “having a shot at voice acting” I’ve no idea, but it’s not a helpful question, really. If anything, the question might be “Am I becoming a better actor, an able live performer, a versatile and confident creator? and “Where do I want to go with this?”

Don’t wait for someone to tell you “you have a shot” before trying voice/acting–or anything. Pursue it because you want to, because you love doing it, because you have to do it, not because someone tells you that you can or should.

Your progress so far may indicate a good path ahead, but there is no way for me, you or anyone to gauge a beginner’s odds at eventual success, without having fully tried it. As you step up to new acting challenges and work with better performers, you may be surprised at what you find within yourself. But you can’t anticipate now what you will find, nor can anyone.

Perhaps a casting director or a good VO teacher/class might be able to give you more confirmation of your VO capabilities, if that’s what you need. 

Keep it up and you will find your answers. 

8. “Can you help me (or my kid) [get an audition with a particular company/ meet a certain casting director/ get an agent/ get work in a certain city]?”

I am not able (nor do I want to) maintain a personal or professional acting consulting service. My intent is to address what will help a broad range of people interested in voice acting. My website is all the help I have to give. 

8a. “Can you help me find that [book/class/casting director/reference] you mentioned?”

Actors need to be resourceful and persistent. There is also a premium on self-reliance. You can find anything these days with the web. Check Google, Amazon, youtube, IMDB., etc. If you can’t find whatever you’re looking for that I’ve referenced, you gotta look a little harder.

9. “I haven’t read all of your site yet, but I have a question about…”

Uh-buh-bup!  Read my entire site first (including posted questions and answers), then post your question (that I haven’t already answered or addressed).

10. “I am [shy/ awkward/ and “outsider”/ have speech issues/ have an unsupportive family, etc]. How can I overcome this to become an actor?”

There are a lot of successful actors who started out shy and awkward (and who still are when they aren’t working). It probably has a lot to do with why they are so good at acting! Also, some very successful voice actors had to overcome speech impediments (e.g. James Earl Jones).

Feeling an unsupported, beaten down “outsider” may turn out to be the rocket fuel that powers a great performer! A good actor finds a way to tap into these perceived “disadvantages” dealt by fate, and use them to her/his advantage!

But look, I’m not a counselor, a speech therapist or even a certified teacher. I have laid out all the lessons and tools I’ve learned for you to use, if you wish. All I can do beyond that is encourage you to believe in yourself and find your own ways to explore this and have fun with it and see where it goes.

For a start, try some of the things I suggest as far as getting into a show or a class or try practicing reading out loud. Think of it as testing out a new hobby and see where it if you like it and where it leads you.

Trying out acting doesn’t have to lead to a Professional Career in Acting, it just might end up being something fun to do. And there’s nothing wrong with that!

11. “I want to earn my living as a voice actor but I also want to stay in [a small town/ a distant country/ a city with no recording studios, etc.].  What do I do?”

From my perspective, to earn much money in animation, television and movie VO, you must be talented, lucky, persistent, and live where these projects are produced, which is mostly in a few larger cities (L.A., New York, or perhaps Chicago, Atlanta, and to a lesser degree in smaller markets like Dallas, San Francisco, Seattle, Austin, Denver, Miami).

Most of the top voice over work for television and film animation is recorded in Los Angeles. While it is possible to establish a career doing professional (union) voice work from a remote location, that kind of VO work is mostly confined to doing promos and commercials. I know a few who do this, but that is after having already established themselves in L.A. first. That’s my understanding of it, anyway.

As far as setting your sites on a smaller or local non-union market, I don’t have a lot to say, since for me that was a brief stepping stone rather than a final destination. You find your footing, then move on and up to your own “high watermark” is my angle. See my FAQ #17 below regarding web-based voice over work.

Actors must be physically present in the studio for most animation, television, movie, and video game sessions that record in Los Angeles, with occasional exceptions for celebrity voice talent and promo work, which can be recorded remotely via ISDN.

If for some reason, you don’t want to live near a major work-hub city, but still want to work and audition in that work-hub city, you’ll need a lot of gas money and a lot of time to drive around. I’d suggest loading up your smartphone with a bunch of audio books and podcasts as well.  (In Los Angeles, you’ll be driving around a lot one way or the other.) But agents mostly want to represent actors who live nearby and are able to make last minute auditions or even gigs. Things happen quickly in The Biz! 

A new generation of web-based voice work is coming online (mostly lower paying non-union work), but it doesn’t strike me as particularly interesting (or lucrative) work. In any case, I frankly don’t have any direct experience with it so this isn’t the focus of my website. You will have to seek insight elsewhere on this (I’ve no idea where). 

11a. I live in a foreign country and English isn’t my primary language. Can I become a voice actor?

If you mean, “Can I become an actor and move to L.A. and become a voice actor?” Then I’d say you’re the only one who can answer the question. It’s ultimately the same for anyone: It’s a matter of talent, ambition and luck. But it’s up to you to make it happen and find your path no matter your starting place.

12. “Can you recommend a [teacher/ class/ agency] in [my town/ my state/ my country]?”

Since I’ve been living in L.A. for two decades, I really have no idea who to recommend for classes or teaching outside of La La Land.

Just do your homework in your target area after reading my “Learning to Act” and “Voice Acting Academy” pages.  If you’re really serious (and seriously ready), consider taking a class or two in L.A. or other major production city.

Research who is casting the shows that interest you and who of these are teaching (or making appearances in classes), who is respected and liked– and seek them out. They may do classes in L.A. or New York or other cities, or even give panels at outside conventions.

I’ll leave it to you to hunt this info down. I’m out of the loop on it.

12b. I’m considering paying a VO training company/program that says they can do it all for me in one package for a flat fee– train me to be a voice actor and set me up with a demo, a website and marketing skills. It costs over three thousand dollars. Should I?

I strongly believe that acting (or specifically, voice acting) is not something everyone can gain facility with exclusively (or even mostly) through training.

I think good VO training can at best refine and enable already existing talent. But you must have the talent or it’s a no go. But the best way to find if you have talent and learn to be a performer is to get on a stage (theater, improv, stand  up, etc). My view is, you learn acting mostly by doing rather than studying.

If you want an introductory overview or to strengthen your confidence with a bit of class study, that’s fine–if it’s a good (well recommended) program.

I’m suspicious of any company that portrays voice acting as something you can pay a few thousand to train in and then start making money as a pro. It’s almost like you’re getting certified to be an electrician or yoga instructor, which pretty anyone can pay to do. Once you have that certification, you can set up shop and start working.

But for acting? Well, you can make a lot of money selling that dream. 

$3000+ is a TON of money. I’d need a lot of references to confirm the value of this.

A top level small group voice acting class in LA costs around $100 per 3-4 hour session. Webhosting is easy and cheap on your own. Remote voice over training may work for other things, but I’m not sure how it pays off becoming an actor. I don’t know anyone I’ve worked with who paid to be remotely trained.

I personally would only pay for learning with someone who will only take in those who are ready. Same with making a demo. Creating a demo is a separate project and I wouldn’t pay for that as part of a package. That begins to appear to be a “VO mill.”

If I had $3000+ sitting around early in my career and wanted to refine my voice acting skills and my readiness to be a voice actor, I’d invest in a good improv school and maybe buy a plane ticket to go learn in person from working pros who do the kind of work I want to get into and who are selective about who’s money they will take. 

Class study has never been my preferred means of leaning to act or voice act as I explain on my “Learning to act” pages.

13. “I’m thinking of trying out this voice acting thing, but I’m kinda busy and a bit short on cash.  Is there a quick, cheap way I can check this out without too much hassle?”

I’ll reiterate: Becoming an actor or a voice actor isn’t a quick or cheap journey. If you want quick and cheap, look elsewhere for a career.

If you are serious about trying voice acting, take a class from an established voice director or casting director (you may need to travel to get this kind of expertise) or possibly an established VO pro (some, like Bob Bergen, travel and do workshops outside of Los Angeles). Hunt down the voice actors and voice directors you admire and see if they teach or do appearances in others’ classes, maybe in your neck of the woods (or maybe you need to travel).

Perhaps think of the project of becoming a voice actor as analogous to getting good enough at an instrument to play it professionally. That takes a lot of time and work as well as talent, connections and other things. Expect a long (hopefully fun) climb at very least.

If you are just beginning, perhaps a beginner acting class or even a voice acting class taught by someone who knows what they are doing is a good way to start. How to find that? After reading my site, you gotta do your own research. I list a couple sites at the bottom of my Voice Acting Academy page that may offer you some leads. Research your prospects and go with someone well recommended. 

It’s too easy to start plunking down your Benjamins for VO/acting courses. But I see it as more important that you become a good actor, as opposed to someone who takes a lot of acting/VO classes.

Classroom acting for a beginner can be a helpful start, a good intro, but may not ultimately lead to becoming a good actor. It may help, it may hinder or it may not move that needle at all. Think of it as the difference between learning karate in a gym with choreographed routines and being in an actual street fight. Class study may be invaluable or it may be an expensive way of deluding yourself that you are getting ready for a career, when in fact, you aren’t. Check my Learning to Act page for more of my take on this.

I’d prefer to get a novice actor on a stage in front of some kind of audience instead of into a classroom, but both can help. Stage-time has always been the best teacher for me (plays, musicals, choir, stand up, open mic nights, etc).

In any case, if you are indeed more advanced as a performer and really think you’re ready to start voice acting right away, you might consider a round-robin type class featuring a rotation of voice casting directors or agents in Los Angeles so “gate keepers” who actively cast can see you do your thing. I wouldn’t recommend that unless you were certain you are ready to be seen and heard (and remembered in a good way), otherwise you’ll waste your time and money making a bad impression that probably won’t be forgotten any time soon.

Not sure where you stand? Try comparing your demo to the demos you find online of the voice actors in the shows you love and admire. They can be found at their agency’s website.

14. “Books on tape voice acting seems an easier and quicker way to go– how can I get going on that?” 

Again with the “quick and easy?” The focus on these two words doesn’t bode well for a prospective actor of any stripe.

In any case, I don’t think getting into books on tape work will be any “easier or quicker” than getting into animation VO or other voice work. Ever tried reading an entire book out loud? To do this well– to clearly tell a long form story– takes a lot of skill (try it). You need a lot of technical voice over skill and acting ability as well.

Books on tape work also doesn’t pay nearly what other forms of v.o. do per hour of work (unless you’re famous and can negotiate a big paycheck) plus there are no residuals (it’s a “buy out” gig). For some it’s a fun and fulfilling gig, though, depending on the text you have to read.

Books on tape (as I understand it) pays by the hour of finished product not by the hour worked, so it takes a lot of expertise to make that studio time count (editing out the stop and starts and flubs adds a lot of time when you’re reading a long piece and substantially decreases your income-per-hour-of-work pay). Also, you had better hope that you enjoy the book you are being paid to read, because you may well be doing it for a few days.

Books on tape voice acting is the kind of work to pursue only if you REALLY enjoy reading long form and you are very good at it. I’m not familiar with more specifics on that branch of voice overs, so that’s all I’ve got to say on that on that.

15. I’m a trained/experienced singer. Will this help me in becoming a voice actor?

Singing training can be very valuable, but it’s not as important as acting skill and improv ability, as far as animation voice overs go. You could also flip it and say, “Will all my voice over experience help me become an opera singer?” The answer’s about the same.

16. “Can you [listen to my demo/ critique my sounds/ contact me directly/ view my youtube post]?”

At this chapter in my career, I just don’t have time for individual consulting, coaching or teaching. This website is the best I can do.

More importantly, I’m not an agent or casting director and my opinion doesn’t necessarily count. (Many think established voice actors are somehow “gate keepers” to work– we are not! That would be casting directors and show creators and those who work at the animation studios that make the shows!)

So: I’m not the one you need to impress or whose opinion necessarily matters. I don’t pour over demos or auditions all day long, and I don’t cast shows so my take may well be less helpful than you’d think.

This site (and my “Demo” page) is the best I can offer you. 

16a. Do you teach or do Skype training?

No. I occasionally do larger one-off classes or presentations around L.A. or maybe at a convention but I haven’t the time to consult or teach at this point. 

17. “Can you advise me on how to be a web-based voice actor from home or how to get an agent as a web-based voice actor?”

Getting VO work though a website is not what I do or what I’m familiar with. My understanding is that most such web-based VO work is non-union and doesn’t use agents to broker work because the money is limited. It’s run more like Craigslist. There are a number of sites that are well known for this, including voices.com, voicebunny.com, and voices123.com. I’ve no experience with these sites.

Non-union work offers none of the advantages or protections of an agent or union, but they may serve as a starting point for a home-based entrepreneurial voice actor in the 21st Century. Some apparently can earn good money with this, but again, it’s not my realm.

Most who work through these online VO sites essentially act as their own agent, negotiating their own (mostly non-union) deals and dealing with engineering, paperwork and follow up. Back on the union side of the fence, you’ll see from my site, that “getting an agent” is only a part of what you need to do to make a voice over career work, anyway. Having an agent is no “silver bullet.” 

In any case, web-based work is way off my radar. I’m Los Angeles-based and focused on union VO work in television, movies and games, which is mostly recorded in-person- only auditions are done remotely. Perhaps my Dig Deeper page has links to point to further help.

18. I’m a parent and have been told I should get my 5 year old into voice acting. I’m not sure about this. Should I?

The question for a parent interested in getting their child into voice acting (or “showbiz” in general) should always be, “How does this benefit my kid?” If the answer is essentially “money,” then we’ve got a problem.

As I say on my site’s Op-Ed page, I think getting a kid into acting for money is a huge mistake, especially on-camera. Chasing money leads to a childhood wasted. L.A. is full of misguided parents with dollar signs in their eyes as they drag their kids around to commercial, TV and movie auditions. What kid would want that?

When people say “You should get your kid into voice overs,” ask yourself what do they mean? Why? On what authority do they say that? If they mean, “because she can make a lot of money,” well, that’s a terrible reason to get a kid to do anything. If they mean, “She has fun acting/performing/singing and would enjoy the process” then maybe you could consider it, but most people don’t have any idea what the process of being an actor is (especially VO), that it’s work that takes focus and patience and involves rejection, competition, and pressure that a kid may not be developmentally ready for or enjoy at all. It also takes a kid away from school and typical socialization experiences of a normal childhood. Most people who recommend “showbiz” for a kid have no idea what “showbiz” is or what that can mean to a kid.

Your question should always be, “What’s actually in it for my kid?” “What is s/he getting out of this?” Take a hard look. I’m guessing most children would rather play in a park or spend time doing something with family rather than sit in a dark studio being told what to do by strange grown ups. It’s also not healthy for a kid to learn that a way to earn Mommy and Daddy’s approval is by earning money. That’s a terrible set up for a childhood. Love should be unconditional for a child. A kid’s love should not be based on their ability to book a gig.

Now, I loved performing as a kid- acting in plays, musicals, ventriloquism, magic, stand up- and I kept doing all sorts of performing into my teens, where money wasn’t an issue at all- it was done for fun. Acting in a play with a cast can be a hugely enriching learning experience for a kid. It’s a great social education, a voluntary family, a uniquely cooperative art form. But do it for love and fun, not money.

Professional voice acting in general is not a bad set up for a kid, though. A voice acting gig is relatively brief and doesn’t require memorization or much time away from school and family. Parental oversight is not a problem. The money can be good but generally not crazy and you don’t have to deal with “fame” for the most part, which can be particularly toxic for a kid.

But many parents with kids in VO are working other “showbiz” angles which lead to bigger money, on-camera work and fame. Few parents with talented kids seem satisfied to remain in the relatively safer, saner world of voice acting. The lure of money and the showbiz spotlight is too enticing. They just have to take that bait, as everyone else seems to. But to whose benefit?

Re: a five year old doing this: It’s not unthinkable for a young child to try voice acting and enjoy it. But at 5, there is typically a lot of “repeat what I say” directing, over and over, which may or may not be fun for a little one. This is work, after all.

I’d prefer s/he try acting in a play than take a lot of voice acting classes. If she’s a good actor and enjoys performing, I wouldn’t expect her at that young age to need much instruction anyway.

You are right to be skeptical on this. Most parents aren’t. They naively and blindly dive into wasting their kid’s one and only childhood and a lot of money on seeking a few bucks.

What should you be doing with her at this age? Just love her and play with her. I’m guessing she’d rather spend time with you than with a voice director. If this leads to trying performing and maybe testing out voice acting, that’s fine, but always ask yourself as you move into professional (paid) performing, “What is she getting from this?” “Is this fun for her?” “How does this affect how she sees herself and our family dynamic? “What is the benefit for my child?”

If you and she feel good about the honest answers to these questions, keep going. Otherwise, go play and have fun some other way.

19. “I’m a big fan! Can you [send me an autograph/ leave a birthday message for my friend/ come talk at my school]?”

I now offer autographs with all the proceeds going to a charity that helps wounded US veterans. There are options for signed 8x10s as well as any other item you send in for me to autograph. For all the info, CLICK HERE.

These days, I’ve no time to coordinate much of anything else.

You might try and catch me at an occasional convention. I’ve been at ComiCon in San Diego for the past few years, along with other occasional con appearances.

Follow me on Twitter (@deebradleybaker) for updates.

20. “Hey, why didn’t you post or answer my comment?”

I read all posted comments. I try and answer comments (eventually), but I tend to approve only posts that address issues that strike me as generally helpful to others or at least that get asked a lot and haven’t yet been addressed. (e.g. “How do I warm down vocally from a rough session,” might get an answer, but “Who do I contact in Atlanta for improv classes,” won’t.)  

Also, if your question has basically been asked and addressed already in a post, I’m not going to answer it again.

If the comment is too specific, or too regional in focus, or your question is written in a way that doesn’t strike me as genuine or serious (or coherent), it won’t get posted. Lots of the posts I get are from readers who obviously haven’t read through my site yet. Those go in the trash.

And honestly, most questioners obviously haven’t taken the time to read my site. 

Also, comments that ramble or have lots of misspellings and sloppy grammar I tend to not answer. No offense intended, but if you are interested in voice acting, you had better care about your words.

And, sometimes, I don’t answer because I just have no idea.

21. “How come my posted question is shorter than the one I wrote or modified?”

I edit, shorten or simplify some posted questions for relevance and brevity.

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If you enjoy my site, why not make a donation of any amount to the American Humane Associationa wonderful charity that helps protect children, pets and farm animals from abuse and neglect?

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50 Responses »

  1. 1. As English man is it necccesary to be able to produce a solid american accent when trying to get work in L.A or is there enough work requiring the English accent to be able sustain myself. 2. On top of this is it enough to audition for an ordinary human character in one’s ordinary voice if it seems to fit or should i look to manipulate it.

    • 1. A British accent is a specialty that is rarely used, but if your talent/reputation is rare you could be the one who is called and words constantly (see Tony Jay, or Tim Curry for instance). 2. Some have pretty much just “one voice.” The realms of commercial and promo VO tend to draw from a talent pool where only one voice is needed, so versatility of sound isn’t as important as versatility and competency as an actor. The acting is the important part always, not the “voice” used. In animation VO, versatility is important to your cast-ability because the union contract allows for three voices (characters). Here versatility and range can be as important as acting ability.

  2. Could you recommend some starting litterateur that would be great to read aloud?

  3. …do you know if people who are already working in this industry have an easier time getting noticed than those who are not, or does getting noticed SOLELY depend on your demo reel?

    • Well, “already working” means you are gaining the trust of those who produce, so yes, that’s an advantage. Having a good demo (preferably on a website) is a great way for an unknown to get attention. It doesn’t matter if someone more experienced has an easier time getting noticed. All that matters is that you get good at what you do, make a competitive demo, have competitive marketing materials (such as a website) ready and you keep doing your thing. It’s not your concern if it’s easier or harder for anyone else to get work. Your focus needs to be on what do you need to have ready that makes you an irresistible proposition, whether or not you are a known quantity.

  4. Thank you for creating this site! It has really helped me and I feel myself improving every day! Some questions: I have a slight accent (non-American) when I speak. Will that hinder my voice acting career, especially in LA-based productions? Do you know if being of Asian descent will affect my chances of booking voice acting gigs?

    • I would think that voice work for someone with an accent who is unable to affect a dead-on American accent would be mostly limited to ADR for movies and television where there is sometimes a need for “foreign” accents in crowds, for instance. Animation occasionally uses foreign accents, but is mostly produced for mainstream American ears. That said, if you establish yourself as an acting force to be reckoned with in this (or any) market, an accent could be an advantage, almost a super power, and you would have little competition. But it all gets back to demand and in animation, games, and commercials that I’ve seen, it’s mostly all straight-ahead English or at least those who can affect a believable American accent in addition to their own natural local accent. I know a handful of voice actors of Asian descent, so there is either little work to be had, or lots of work for the talented few who have established themselves. The most important thing that affects your booking a gig is your talent and how well you’ve established yourself in the minds of those who cast. Being a “specialist” could be an advantage or a disadvantage.

  5. I’m only 12. Not even a teen. Do you have advice for me. I have experinc in performing live and other voice talents like singing

    • My advice for those still in school is get a good education in anything you like with an ear to what you are good at. You don’t necessarily need to study acting to become an actor. All other advice on my site applies whether you are young or old.

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