Dee Bradley Baker's "All to Know About Going Pro in V.O."

My Home Studio


You’ll find lots of different takes on an equipment list for a home studio. I’m not really an engineer, so I don’t have (or need) the most “tricked out” studio. My equipment is not expensive, it’s simple and sounds great.

Home auditioning is pretty straight forward. You record single track performances, do retakes, edit them down and email them in. This process requires less expensive recording technology than most would think. Less is more for a voice actor like me.

The sound quality needs to be decent, but it’s an Mp3 audition that probably won’t be heard under optimal acoustic conditions anyway (it does need to sound technically on par with the other auditions your agent is submitting). I’m not a fan of the whole “ProTools” set up that many get in order to feel they have a “professional” studio. I find it way too expensive, overly complex and a pain to learn and operate in general. My set up is simpler.

Here’s what studio equipment I use and how much it cost me:

1. I record to Garage Band that comes pre-installed on my Mac mini. I like the Mac mini because it is pretty much silent– no cooling fan since its cooling is passive. The software is incredibly simple and intuitive and can record multi track and more if I want. It sounds great. It’s easy to drop in a karaoke Mp3 from iTunes for a singing audition, as well. For auditioning purposes, it is all I need. You could also do this from an iMac as well. About $1000 for the computer/monitor/pre-installed software.

2. I plug my XLR mic (XLR refers to the connector on a professional quality mic) into an inexpensive digital audio interface (e.g., Mic Port Pro- a “D/A converter” that is about the size and shape of a magic marker). This plugs directly into my Mac’s USB port. It has separate volume controls on the converter for the mic level and earphone level. Pretty awesome. This nifty device allows me to plug any professional quality XLR mic into my computer to record. $200.

3. I “warm up” the tone of my voice via the mic with a microphone pre-amp which features “tube emulation” and a built in compressor to guard against sudden fluctuations in sound level. This can run you anywhere from just over $100 to well over $1000. For me, this is the second most expensive sound hardware in my studio, after my computer. I use a Universal Audio LA-610 II pre-amp/compressor. 

4. I use a relatively inexpensive SE Electronics XLR mic that my friend, voice-actor Corey Burton, recommended. He also really likes the Studio Projects C-1 mic, which I also own. Sure, you can buy an industry standard Neumann mic if you’ve got a few thousand bucks sitting around. Me? This inexpensive Burton-approved mic sounds pretty great and I’ve never had a complaint. There exist USB mics that may fill the bill these days, but I’ve not tested any.

4a. Make sure your production quality is at least as good as your agency’s so that they also feel good about the sound quality of your read and your production. Around $400.

5. I record my auditions inside an 8’x12′ “vocal booth” studio that I purchased on the web and set up in my garage. I got mine from a good while back. Whisperroom is also popular. 

There are also new (and cheaper) options now for home recording, including “porta booths” that allow recording in a closet or small room. These are essentially a small sound-deadening foam-padded box which houses your mic with an open side that you speak into. The foam swallows much room sound so that your vocals sounds like you’re in a studio. Pretty cool! You aren’t entirely closed off from all external sound bleed, but these porta-booths are designed to swallow much of the ambient room sound.

Hunt around online for examples of home studio options and read the reviews. It may even be possible to cobble together a home made version of this as well…

6. A decent pair of headphones, preferably over-the-ear, to avoid “noise bleed.” The “on ear” headphones don’t contain sound well enough to record vocals. Pony up some moolah for comfort as your ears will get tired quickly from cheap headphones. Most headphones I see in studio are Sony brand. Maybe $200-$300 new.

7. (advanced) I have an old Telos Zephyr ISDN codec that I use on occasion to work from my home studio- many of the A-list voice-actors I know have one of these. It’s an expensive piece of hardware that facilitates a special broadband phone connection that allows studio quality sound recording remotely. It ain’t cutting edge, but neither is the electronic infrastructure of most of Hollywood. (Most all of my type of voice work–animation, movies, interactive games–is recorded in a professional studio with director and cast present.)

This set up requires your purchase the codec (a couple thousand, I think) and then have the phone company install a separate ISDN line to your home (if they do that- some areas don’t have this). You then pay a flat monthly fee for the active line and also usage fee on top of that.

You probably don’t need an ISDN setup. I rarely do these days. I needed it at first to be directed remotely from my agency’s office when I wasn’t as skilled at self-directing and I had to stay close to home (was starting a family). These days I mostly use my codec to do an occasional promo read. Voice actors who focus on promos have a laptop version of this where their connection is facilitated by a company called “Source Connect.” This is a web-based ISDN third party that sets up your ISDN session over the web so you don’t need the hardware.

When your career gets more advanced, you might set up an ISDN set up (or equivalent) so you can actually work from home (or even from a laptop in any hotel with an ISDN connection). The actors I know that take it this mobile are doing promos and perhaps commercials, not animation or ADR, remember. As I said, an ISDN set up is pricey and may become advantageous later in your career.


Make sure you consider my page “Death by Home Studio” before leaping into auditioning from home!

I like purchasing my equipment from,, B & H Audio/Video or even random places on Amazon. Read reviews, compare prices and shipping and return policies on anything you order. 

33 Responses »

  1. …I live in a small town… nowhere near any city with a VO agency and I can’t just pack up and head west. Is it possible to succeed from where I am in a home studio?

    • It depends what you mean by “succeed” and what kind of voice overs you want to do or be known or paid for. But as I say, you don’t start out a career by getting an agent or booking a gig. You start by getting good at acting and voice acting, exploring it, finding the fun in doing it and fueling your powers. The agent and paid work then follow that.

      If you’re looking to get signed or hired as a way of starting becoming a voice actor, you’re putting the cart before the horse.

      Your question appears to be, “How do I get good enough at voice acting to get signed or hired by staying in my isolated home?” Not really seeing how that’s possible.

      A careful read of my site will paint a picture of gradually developing your talent first locally or regionally over time and building towards higher levels of opportunity as your talent and well-placed confidence expands. Nowhere do I recommend just “pack up and move west” because you want to try this out.

      If you can find a way to weaponize your talent isolated from others who do this, good for you. But generally I’d say, if you want to ride broncos, you gotta make the trek to the rodeo by working your way up the rodeo circuit. And that doesn’t mean sitting at home.

      The only types of VO that I know that end up working from home do books-on-tape and promos. Those are very specialized work and not something you can just learn from home, though there are many who would happily charge you a lot of money to sell you different dream. You’re not just learning a skill- you’re unleashing an art and earning connections of people who trust your competence.

      Animation requires acting and improv superpowers that you must journey out to excavate, nourish and refine.

      If you’re unable or unwilling to journey out from home- or work your your way out and up to pursue your interest, you either don’t want it enough or VO may not be a good fit for your life. See my FAQ #4.

  2. Are there ways I can “train” my voice before collage? What do I need to know and do to use my voice “correctly?” What do directors normally look for in voice actors? Do I need a really unique voice in order to be in this industry? If so, should I start practicing and perfecting all of my crazy goofy voices? And lastly, how do I get myself out there?

    • You can always take signing lessons or take an acting workshop if you want “training,” other than doing plays/musicals, etc. Voice acting isn’t about being “correct,” it’s about good acting. Any vocal technique/control is under that heading. Your focus is becoming a good, confident performer. Practice anything that is fun- but you are aiming to do characters (which requires acting) not just doing “voices.” For ideas on how to “get yourself out there” read my site.

  3. …I am looking for suggestions to up my game for auditioning and straight to broadcast recording capability…I cannot spend thousands of dollars, but I would appreciate any suggestions…

‹ Older Comments

Leave a Reply

© Dee Bradley Baker 2021

%d bloggers like this: